2025.06.18INFO
[Starting this weekend] Ueshima Museum "Thematic Exhibition for Creative Encounters" to be held
Marc Quinn "Solar Eclipse Northern Hemisphere August 11th 1999" 2017 Robert Longo "untitled (small Venus)" 2005 Bosco Sodi "untitled (Urushi Series)" 2015 Theaster Gates "Creamy Rich Sky, Asphalt Horizon Roll" 2014
<<First Floor>> City and Pop The dynamism of the city of Shibuya flows in as if breathing through the newly opened windows. In order to resonate with the reality of the city, we have organized an exhibition on the first floor centered on pop art. Starting from Andy Warhol's cool and sharp gaze on everyday objects, Nara Yoshitomo, who can be said to have a uniquely Japanese "neoteny pop," will have a rendezvous-like encounter with Hokusai's ukiyo-e prints. Furthermore, various phases of the city and pop will intersect, including Banksy, who appears as a poetic rebellion from the street.Banksy "Bomb Love" 2003 Yayoi Kusama "I who await the arrival, any moment now, of my art Awaiting the arrival of my heart's glorious consolation Years passed before I knew it Because I felt lonely today I watched a white cloud in the sky" 2021 Yoshitomo Nara "No Nukes" 2022 Andy Warhol "Campbell's Soup I: Tomato" 1968
<<Second Floor>> Gerhard Richter and James Turrell In the central space on the second floor, a space composed of Gerhard Richter's works quietly illuminates the fluctuations that exist between materiality and image. In addition, a new permanent exhibition room by James Turrell will be added from this time. The space, which captures the interaction between light and perception as an experience, returns to the roots of the act of "seeing," blurring the boundaries between vision and spirit. Light is no longer an object, but a medium for thought itself.Gerhard Richter, "Kanarische Landschaften I [Canary Landscapes I (Butin 39)]", 1971 Gerhard Richter, "21. Feb. 01", 2001 Gerhard Richter, "Abstrakte Skizze (Abstract Sketch)" Gerhard Richter, "Abstraktes Bild (P1)", 1990/2014
<<3rd Floor>> Geometric and Introspective Compositions - Room Temperature Abstraction In today's rapidly changing and stimulating society, we often yearn for "calmness" and "neutral temperature." The exhibition on the 3rd floor features geometric abstract paintings that induce relaxation and tension at the same time. These works suppress emotional excitement and lead the viewer to introspective contemplation. What we find here is the beauty of "room temperature," which is felt by submerging oneself in emotion rather than expressing it out loud.Agnes Martin "untitled" 1995 Masaaki Yamada "Work E. 369" 1988-89 Anselm Ryle "untitled" 2005 Sputniko! "Drone Searching for the Four-Leaf Clover of Happiness" 2023
<<4階>> ナラティヴと色彩のアウラ この階では、アフリカ作家を含む多様な国籍のアーティストたちによる、個々の生や歴史の語り(ナラテイヴ)が力強く展開されます。鮮やかな色彩と大胆な構図で構成された具象作品のあいだに、ベルナルド・フリーズらによる、色彩そのものの気配——アウラ——をとらえた抽象作品を挿入することで、イメージと抽象の境界が絶えず揺らぎ、観る者の内に物語と詩情を同時に呼び起こします。 <<4th Floor>> Aura of Narrative and Color On this floor, artists of various nationalities, including African artists, powerfully present narratives of their individual lives and histories. By inserting abstract works by Bernardo Fries and others that capture the aura of color itself between concrete works composed of vivid colors and bold compositions, the boundary between image and abstraction is constantly fluctuating, evoking stories and poetry in the viewer at the same time.Umar Rashid, "Payback is a motherfucker. The final death of Harlem Carl. Or, in another time, he would have outlived us all.", 2022 Aiko Yuno, "CAMELLIA (Narrative)", 2022 Wahab Sahid, "untitled", 2022 Izumi Kato, "untitled", 2020
<<5th floor>> Entanglement of matter and emotion Love and desire, libido and memory - the complex emotions surrounding these are expressed as an entanglement of matter and image in the space on the 5th floor. While all of the works on the theme of "love," such as the sensual glow of Jean-Michel Othoniel's red glass work and Mitobe Nanae's portrait of the love between Yoko and Lennon, do not depict it in a single, unambiguous way. These expressions, which are imbued with modern sensibilities such as glitch, noise, and hybridity, delicately and provocatively reflect our complex and slightly distorted desires and human relationships in the modern age.Bernard Frize "Bitje" 2019 Jean-Michel Othoniel "pink Lotus" 2015 Marc Quinn "The Moon of Jupiter" 2010 Mitobe Nanae "remember love" 2022
Towards an exhibition space as a margin This exhibition weaves the emotions and questions we have as modern people between the works and between the floors. An exhibition space is not simply a place where works are placed, but exists as a "margin" where thoughts breathe and relationships emerge. We hope that by visitors stopping in this margin and re-encountering the works with their own senses, a creative journey will begin that unearths the layers of our current era. <<List of artists scheduled to exhibit>> Agnes Martin, Alexis Rockman, Anselm Lyle, Andy Warhol, Ryoji Ikeda, Umar Rashid, Olafur Eliasson, Izumi Kato, Katsushika Hokusai, Kapwani Kiwanga, Gideon Apaah, Yayoi Kusama, Cerith Wyn Evans, Gerhard Richter, Theaster Gates, James Turrell, Chiharu Shiota, Jean-Michel Othoniel, John Maddy, Sputniko! , Takano Aya, Tada Keisuke, Damien Hirst, Dan Flavin, teamLab, Thomas Struth, Torquase Dyson, Tracey Emin, Nara Yoshitomo, Nawa Kohei, Nicolas Buffe, Harold Ankart, Banksy, Pius Fox, Bernardo Fries, Bosco Sodi, Marc Quinn, Mark Ryden, Michael Kagan, Matsutani Takesada, Mitobe Nanae, Murakami Takashi, Moses Jibor, Yamada Kohei, Masaaki Yamada, Yuno Aiko, Ryan Gander, Ryan Sullivan, Louise Bourgeois, Robert Longo, Roberto Pelle, Wahab Sahid *Exhibited works may change without notice. Please be forewarned. **Ueshima Kankuro Profile** Founder of the Ueshima Museum Collection. Born in Chiba Prefecture in 1979. Graduated from Shibuya Educational School Makuhari High School in 1998 and entered the Faculty of Science, University of Tokyo. While studying at the Faculty of Engineering, University of Tokyo, he founded Dream Career Co., Ltd., and currently runs a diversified business as an entrepreneur and investor, while also exploring auction houses and galleries in Japan and abroad. He continues to collect a wide range of contemporary art works, from top domestic and international artists to young domestic artists. In 2024, he was selected as one of the US edition of Artnews Top 200 collectors (a special feature introducing the 200 world's most active super art collectors that year). **Profile of Yuko Hasegawa** Visiting Professor, Graduate School of Management, Kyoto University / Program Director, Art and Design Department, International House of Japan / Former Director, 21st Century Museum of Contemporary Art, Kanazawa (April 2021-March 2025) / Professor Emeritus, Tokyo University of the Arts / Visiting Professor, Research Institute for Humanity and Nature Curator/Art critic. Graduated from the Faculty of Law, Kyoto University. Completed the Master's course at the Graduate School of Fine Arts, Tokyo University of the Arts. He is currently the artistic director of the Inujima Art House Project, after serving as a curator at the Mito Art Tower, visiting curator at the Whitney Museum of American Art, curator at the Setagaya Art Museum, curator and artistic director at the 21st Century Museum of Contemporary Art, Kanazawa, and curator and counselor at the Museum of Contemporary Art, Tokyo. He has received the Commissioner for Cultural Affairs' Award (2020), the Order of Arts and Letters of France (2015), and the Order of Culture of Brazil (2017). He has organized biennials in Istanbul (2001), Shanghai (2002), São Paulo (2010), Sharjah (2013), Moscow (2017), Thailand (2021), and numerous international exhibitions, including "Japanorama: A New Vision of Contemporary Japanese Art" and "Japonisme 2018: Into the Depths - In Search of Japanese Aesthetics," which introduce Japanese culture in France. In Japan, she has organized solo exhibitions of artists such as Dumb Type, Olafur Eliasson, and Rhizomatiks at the Museum of Contemporary Art Tokyo, and co-planned the "Tokyo Art Meeting" series with Ryuichi Sakamoto, Mansai Nomura, and Taku Sato. She will serve as the artistic director of the "Forest Art Festival: Okayama, Land of Sunshine" (held September 28th - November 24th, 2024). Her main publications include "Curation: The Power to Shake Knowledge and Sensibility," "Contemporary Art Begins with 'Why?'," "To Destroy, They Say: Female Artists Softly Crossing Borders," "Japanorama: Japanese Contemporary Art Since 1970," and "New Ecology and Art: The Anthropocene as a 'Perilous Period.'" **Contact Information** UESHIMA MUSEUM Office: info@ueshima-museum.com2025.06.06INFO
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