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<a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">岡﨑乾二郎</a> / <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">KENJIRO OKAZAKI</a>:wšnt Im'š'Im bbty šnt km h kkb m 'I
<a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">岡﨑乾二郎</a> / <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">KENJIRO OKAZAKI</a>:wšnt Im'š'Im bbty šnt km h kkb m 'I
<a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">岡﨑乾二郎</a> / <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">KENJIRO OKAZAKI</a>:wšnt Im'š'Im bbty šnt km h kkb m 'I
<a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">岡﨑乾二郎</a> / <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">KENJIRO OKAZAKI</a>:wšnt Im'š'Im bbty šnt km h kkb m 'I
<a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">岡﨑乾二郎</a> / <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">KENJIRO OKAZAKI</a>:wšnt Im'š'Im bbty šnt km h kkb m 'I
<a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">岡﨑乾二郎</a> / <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">KENJIRO OKAZAKI</a>:wšnt Im'š'Im bbty šnt km h kkb m 'I
  • <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">岡﨑乾二郎</a> / <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">KENJIRO OKAZAKI</a>:wšnt Im'š'Im bbty šnt km h kkb m 'I
  • <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">岡﨑乾二郎</a> / <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">KENJIRO OKAZAKI</a>:wšnt Im'š'Im bbty šnt km h kkb m 'I
  • <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">岡﨑乾二郎</a> / <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">KENJIRO OKAZAKI</a>:wšnt Im'š'Im bbty šnt km h kkb m 'I
  • <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">岡﨑乾二郎</a> / <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">KENJIRO OKAZAKI</a>:wšnt Im'š'Im bbty šnt km h kkb m 'I
  • <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">岡﨑乾二郎</a> / <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">KENJIRO OKAZAKI</a>:wšnt Im'š'Im bbty šnt km h kkb m 'I
  • <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">岡﨑乾二郎</a> / <a href="https://ueshima-collection.com/cn/artist-list/157" style="color:inherit">KENJIRO OKAZAKI</a>:wšnt Im'š'Im bbty šnt km h kkb m 'I
岡﨑乾二郎 / KENJIRO OKAZAKI
wšnt Im'š'Im bbty šnt km h kkb m 'I
年份: 2024
介體: 青銅
尺寸: 30 x 25 x 21 厘米 (11 7/8 x 9 7/8 x 8 1/4 吋) *底座除外
系列: 共5件中的第2件 + 1件藝術家自留版
2024年Takuro Someya Contemporary Art購入
站在這個難似形容的形態前,我們並不會嘗試以任何概念或背景來闡釋些什麼。呈現於這裏的是一塊青銅,從作為原型的黏土採模鑄造而成,它似乎不需要任何超越現實的解釋。或許這就是直覺。毫無疑問,岡﨑的雕塑極為抽象,但這也引伸出一個問題:岡﨑透過這件雕塑試圖抽象出的本質為何?首先是量。包含黏土的濕氣,其重量通過複製至青銅上而得以保存。此外,由於無法從造形中讀取出意義,所以只能直面這形狀本身。巨大的裂縫、黏土表面被某些東西不規則的痕跡打亂、還有像被強行撕下的斷面,這些全都作為黏土的痕跡被固定在其形狀上。這重量和形狀構成了所謂的雕塑。換句話說,在本作中,岡﨑的目的可能是為了實現一種抽象了雕塑這概念本身的雕塑作品。即是說,這是探索在雕塑中抽象表現的模型,或通往物質表現原型的道路。
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